Keeping Time in the Hands of Betye Saar: Betye Saar:

  title={Keeping Time in the Hands of Betye Saar: Betye Saar:},
  author={Ellen Y. Tani},
  journal={American Quarterly},
  pages={1081 - 1109}
1 Citations

Figures from this paper

Still Tickin’: Betye Saar, Ageing and Assemblage
Abstract Focusing on works by contemporary African-American artist Betye Saar, this paper suggests that in repurposing her great-aunt's possessions Saar revaluates the worth of objects accumulatedExpand


Five Hundred Words: Betye Saar,” as told to Maya Harder-Montoya, Artforum, March 1, 2016,
  • 2016
Pioneering Black Artist for Seven Decades, Gets Retrospective at SMoCA,
  • Arizona Republic, January
  • 2016
Scottsdale Museum of Contemporary Art
  • J. Hewitt, “Betye Saar, an Interview,” International Review of African American Art
  • 2016
The Rise Of The Sixties American And European Art In The Era Of Dissent
Thank you very much for reading the rise of the sixties american and european art in the era of dissent. Maybe you have knowledge that, people have search numerous times for their chosen novels likeExpand
There’s No Dwelling on the Past; The Almost-NinetyYear-Old Artist Has Too Much Future to Think About,
  • www.
  • 2016
a Bamoi robe with human hair tufts attached to a raffia-like fabric from Cameroon
  • Description: “sacking robe ornamented with numerous circles of negroid hair, V shaped hole for head; L = 112 cm, W = 75 cm. Received in 1925 from J. F. K. Umlauff—collected by Jan Kleykamp”
  • 2016
Excerpts from African American Artists of Los Angeles: The Oral History Program of the University of California, Los Angeles, 1990–1991,
  • in L.A. Object and David Hammons Body Prints (Los Angeles: Tilton Gallery,
  • 2011
Exhibiting Blackness: African Americans and the American Art Museum
Examines the representation of African American culture in mainstream art museums from the 1920s to the 2000s
EyeMinded: Living and Writing Contemporary Art
A daughter of the poets Hettie Jones and Amiri Baraka, Kellie Jones grew up immersed in a world of artists, musicians, and writers in Manhattan’s East Village and absorbed in black nationalist ideasExpand
How Racism Takes Place
Introduction: "Race, Place, and Power" Section I Social Imaginaries and Social Relations Chapter One: The White Spatial Imaginary Chapter Two: The Black Spatial Imaginary Section II Spectatorship andExpand