Just what is it that makes today's noise music so different, so appealing?1

@article{Hegarty2008JustWI,
  title={Just what is it that makes today's noise music so different, so appealing?1},
  author={Paul Hegarty},
  journal={Organised Sound},
  year={2008},
  volume={13},
  pages={13 - 20}
}
  • P. Hegarty
  • Published 29 February 2008
  • Art
  • Organised Sound
Abstract This article explores how ‘noise music’ uses its influences, how it refers to them, and what occurs formally, when using influence self-consciously and formally. Specifically, it takes two artists, Nurse With Wound and The New Blockaders, that emerged at the same time as ‘industrial music’, and through different strategies, incorporated visual art influences into their work, to the point where influence as question is raised. Referring to Harold Bloom, the article notes that influence… 
Beyond Unwanted Sound: Noise, Affect and Aesthetic Moralism
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In Music and Discourse, Jean-Jacques Nattiez theorizes that noise is not only subjective, its definition, and that of music itself, is culturally specific: “There is never a singular, culturally
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This article outlines various intersections of noise and femininity, through which noise has been feminised and the feminine has been produced as noisy. Feminised musical genres, such as mainstream
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The aim of this thesis is to provide accessibility and appreciation for sounds that are conventionally perceived as non-musical or “noise”. Ordering the noise on a grid of metric rhythms, and
Inter-Piece Sampling and Convolution: Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text
This practice-based PhD – ‘Inter-piece Sampling and Convolution’ – evolved against the background of composers such as Amon Tobin and Monty Adkins, who use techniques and workflows common to both
Terms of use : Click here Sound-based Brutalism : An emergent aesthetic
Organised Sound / Volume 21 / Special Issue 01 / April 2016, pp 51 60 DOI: 10.1017/S1355771815000370, Published online: 03 March 2016 Link to this article:
LOW FREQUENCY SPATIALIZATION IN ELECTRO- ACOUSTIC MUSIC AND PERFORMANCE: COMPOSITION MEETS PERCEPTION
The article takes the perspectives of an electro-acoustic musician and an auditory psychologist to consider detection of localization and movement of low frequency sounds in reverberant performance
Productive parasites thinking of noise as affect
Drawing from Michel Serres’ notion of the parasite, this article provides a nuanced explanation for noise that distinguishes itself from prevailing negative narratives, which often seek to define
Studio Bench : the DIY nomad and noise selector
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This introduction to the American literary critic Harold Bloom, and his "anxiety of choice" explores the paradoxical shifts between theory and poetry which mark his writing. It outlines Bloom's
Les Chants de Maldoror
Plût au ciel que le lecteur, enhardi et devenu momentanément féroce comme ce qu’ il lit, trouve, sans se désorienter, son chemin abrupt et sauvage, à travers les marécages désolés de ces pages
A la recherche d'une musique concrète
The New Blockaders/The Haters
  • Zero is the Journey. PsychForm Records
  • 2004
Parallèles. Alga Marghen
  • 2001
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