Intermediality in Film and Internet: Donnie Darko and Issues of Narrative Substantiality

@article{Booth2009IntermedialityIF,
  title={Intermediality in Film and Internet: Donnie Darko and Issues of Narrative Substantiality},
  author={Paul A. Booth},
  journal={Journal of Narrative Theory},
  year={2009},
  volume={38},
  pages={398 - 415}
}
  • P. Booth
  • Published 19 March 2009
  • Art
  • Journal of Narrative Theory
The structured re-telling of events from our life forms a narrativized account of who we are. But it’s not just our own narratives that shape our experiences; it’s what we see on screen: as Sandvoss shows, in many ways we identify our sense of self with mediated narratives (96). With websites that facilitate hypertextual and multilinear narratives, and with cinematic representations of narrative meaning, it becomes important to examine changes in mediated narrative structure, so that we can… 
Digital Storytelling in Cultural Heritage: Audience Engagement in the Interactive Documentary New Life
This paper casts light on cultural heritage storytelling in the context of interactive documentary, a hybrid media genre that employs a full range of multimedia tools to document reality, provide
Memories, Temporalities, Fictions: Temporal Displacement in Contemporary Television
Television scholar Jason Mittell coined the term narrative complexity to describe television shows that feature serialized plots within episodic television. In this article the author examines a
Hollywood online : movie marketing practices in the dial-up and broadband eras of the Internet 1994-2009
My thesis provides a historical account of online film marketing practices in the dialup (1994 – 2001) and broadband (2002 – 2009) eras of the internet. Theatrical exhibition was crucial for the
Bibliography for Work in Digital Humanities and (Inter)mediality Studies
TLDR
The Library Series of the peer-reviewed, full-text, and open-access quarterly CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies".
Bibliography of Publications in Media and (Inter)mediality Studies
CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the
Models of Time Travel: a comparative study using films
................................................................................................................................... ix Table of Contents

References

SHOWING 1-10 OF 23 REFERENCES
The Concept of Narrative: An Analysis of Requiem for a Dream(.com) and Donnie Darko(.com
This article will discuss the concept of narrative and how this idea has been defined by writers from various academic specialisations such as film studies, literary studies, narratology and new
Fabula and Fictionality in Narrative Theory
The distinction between fabula and sujet is, according to various commonsensical definitions, the distinction between what happens in a narrative and how it is told; narrative theory, however, has
Story Logic: Problems and Possibilities of Narrative
Featuring a major synthesis and critique of interdisciplinary narrative theory, Story Logic marks a watershed moment in the study of narrative. David Herman argues that narrative is simultaneously a
Hamlet on the Holodeck: The Future of Narrative in Cyberspace
Stories define how we think, the way we play, and the way we understand our lives. And just as Gutenberg made possible the stories that ushered in the Modem Era, so is the computer having a profound
Lord of the Rings, Star Wars, and participatory fandom: mapping new congruencies between the internet and media entertainment culture
The culture of media entertainment, as exemplified in the Lord of the Rings and Star Wars film franchises, is being infused with new modes of authorship, production, marketing, and consumption that
Method Filmmaking: An Interview with Daniel Myrick, Co-Director of the Blair Witch Project
In January 1999, a low-budget horror film called The Blair Witch Project stunned the audience at the Sundance Film Festival. As a result it landed a distribution contract with Artisan Entertainment,
A Neo-Aristotelian Theory of Interactive Drama
Interactive drama has been discussed for a number of years as a new form of AI-based interactive entertainment (Laurel 1986, Bates 1992). While there has been substantial technical progress in
Hyper/Text/Theory
From the Publisher: In his widely acclaimed book Hypertext George P. Landow described a radically new information technology and its relationship to the work of such literary theorists as Jacques
Fans: The Mirror of Consumption
Acknowledgements.1. Introduction: Representing Fandom.2. The Dominant Discourse of Resistance: Fandom and Power.3. A Text Called Home: Fandom Between Performance and Place.4. The Inner Fan: Fandom
Writing Space: Computers, HyperText, and the Remediation of Print
TLDR
This book discusses hypertext and the Remediation of Print, critical theory in a new writing space, and writing as technology in the Late Age of Print.
...
1
2
3
...