Incumbents, innovation, and competence: the emergence of recorded jazz, 1920 to 1929
@article{Phillips2004IncumbentsIA, title={Incumbents, innovation, and competence: the emergence of recorded jazz, 1920 to 1929}, author={Damon J. Phillips and David A. Owens}, journal={Poetics}, year={2004}, volume={32}, pages={281-295} }
45 Citations
Identity sequences and the early adoption pattern of a jazz canon, 1920–1929
- History
- 2010
We explore how the long-run success of cultural products is affected by the identities of the product's originators and early adopters. Using U.S. jazz recordings from 1920 to 1929, we found that…
Innovation and Diversity Redux: Analyzing Musical Form and Content in the American Recording Industry, 1990–2009
- Art
- 2014
Using the American recording industry as a case study, this article analyzes innovation and diversity concurrently and outlines the analytical purchase gained from doing so; examines the effects of…
Production and Producers of Lifestyles: The Fields of Popular and Classical Music in the United States
- Sociology
- 2011
Abstract: Lifestyles are ultimately based upon classifications—whereby certain tastes, dispositions and activities are deemed appropriate for a given group. These classifications, in turn, are…
Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–1929
- BusinessOrgan. Sci.
- 2009
Using product data from jazz discographies, record company directories, and record advertisements in major U.S. newspapers, strong empirical evidence is provided that Victorian Era firms were active in using pseudonyms to preserve their identities.
Boundaries and Early Jazz: Defining a New Music
- Sociology
- 2011
The diffusion of jazz into the musical mainstream during the 1920s served as a site for the struggle to define ongoing changes both in the arts and in the broader society. I analyze the discursive…
Orphaned Jazz: Short-Lived Start-ups and the Long-Run Success of Depression-Era Cultural Products
- Business
- 2012
Purpose – This study is intended to extend scholarship on the management of organizations by examining the long-term performance of orphaned products.
Design/methodology/approach – This study uses…
The Classification and Consecration of Popular Music: Critical Discourse and Cultural Hierarchies
- Art
- 2009
textabstractScholars have used a variety of labels to describe broad social and cultural
changes characteristic of Western societies since the 1950s, such as postmodernism,
consumerism,…
Studying U.S. Music in the Twenty-First Century
- Education
- 2011
From the vantage point of 2011, much about the United States and its place in the world feels in flux, whether in the realm of economic power, international standing, demographic profile, or climate…
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