Improvisation in the Arts

@article{Bresnahan2015ImprovisationIT,
  title={Improvisation in the Arts},
  author={Aili W. Bresnahan},
  journal={Philosophy Compass},
  year={2015},
  volume={10},
  pages={573-582}
}
This article focuses primarily on improvisation in the arts as discussed in philosophical aesthetics, supplemented with accounts of improvisational practice by arts theorists and educators. It begins with an overview of the term improvisation, first as it is used in general and then as it is used to describe particular products and practices in the individual arts. From here, questions and challenges that improvisation raises for the traditional work-of-art concept, the type-token distinction… 
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Two site-specific art commissions serve as cases in point illustrating how curatorial practices enabled remote collaboration and display reconfiguration to address authorial absence and institutional interventions during the installation and exhibition phases due to the COVID-19 pandemic.
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Improvisational performance has been neglected by many fields that study creativity and the arts, including both philosophy and psychology. Psychologists, for example, have focused on product…
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The author defines free improvisation, a form of music-making that first emerged in the 1960s with U.K. composers and groups such as Cardew, Bailey, AMM and the Spontaneous Music Ensemble. The…
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