Identity in Flux: Exploring the Work of Nikki S. Lee

@article{Allison2009IdentityIF,
  title={Identity in Flux: Exploring the Work of Nikki S. Lee},
  author={Amanda L Allison},
  journal={Art Education},
  year={2009},
  volume={62},
  pages={25 - 30}
}
  • A. Allison
  • Published 1 January 2009
  • Art
  • Art Education
Recommended for grades 9-12 Introduction Ahh, teen angst. I must admit, when I think of my teen years, I recall a host of film director John Hughes’ movies: Sixteen Candles, Pretty in Pink, and The Breakfast Club. In each of these films, the characters belonged to certain cliques and the story line often revolved around exploring the extent to which their identities were solely defined by their membership in these groups, and how their belonging was often tied to their appearance. This issue is… 

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Nikki S. Lee, a Korean-born artist who lives in New York, has made it her project to infiltrate and mimic the subcultures of American life. For weeks or even months she immerses herself in a

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1926- ) is a contemporary art critic whose most famous work is Ways of Seeing (1972). In it, he helps viewers to look closely and uncover the ideological meanings in images

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