Identification of geometrical shapes in paintings and its application to demonstrate the foundations of geometry in 1650 B.C


In this paper, an original general methodology is introduced to establish whether a handmade shape corresponds to a given geometrical prototype. Using this methodology, one can decide if an artist had the intention of drawing a specific mathematical prototype or not. This analysis is applied to the 1650 B.C. wall paintings from the prehistoric settlement on… (More)
DOI: 10.1109/TIP.2005.849297


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