How Lars von Trier Sees the World: Postmodernism and Globalization in The Five Obstructions

@article{Ogden2009HowLV,
  title={How Lars von Trier Sees the World: Postmodernism and Globalization in The Five Obstructions},
  author={Benjamin H. Ogden},
  journal={Quarterly Review of Film and Video},
  year={2009},
  volume={27},
  pages={54 - 68}
}
Thank you for the peace prize: I am in favor of peace, just like you. And we who are in favor of peace would like to persuade the entire world that peace is a beautiful thing. But the world does not understand this. The world’s peoples, wherever they might live, are divided into two tribes: The world in which the tribes live is a desert. One tribe lives in the land that surrounds that of the first tribe. The desert tribe in the land around the well wants peace. The tribe in the more distant… Expand
Studies in European Cinema Loveless Apathy: Sade’s Erotica and Parodic Excess in Lars Von Trier’s film
  • 2019
Abstract This exegesis takes seriously Lars von Trier’s claim that Nymph()maniac (2014), is an exposition of Sadean themes and tropes. The film is redolent with recondite pornographic flatness andExpand
Loveless apathy: Sade’s erotica and parodic excess in Lars von Trier’s film Nymph()maniac 2014 (Directors Cut)
ABSTRACT This exegesis takes seriously Lars von Trier’s claim that Nymph()maniac (2014) is an exposition of Sadean themes and tropes. The film is redolent with recondite pornographic flatness andExpand
GÜZEL SANATLARIN BİRER DALI OLARAK CİNAYET VE İMGELERARASILIK: THE HOUSE THAT JACK BUILT ÖRNEĞİ
Lars von Trier; tartisma yaratan filmleriyle egemen Hollywood sinemasina baskaldiran, ve kendine has yarattigi provokatif sinema dili ile kendinden soz ettiren bir yonetmendir. Trier’in filmlerindeExpand

References

SHOWING 1-10 OF 14 REFERENCES
Or the Cultural Logic of Late Capitalism
ion in new directions. Another way of saying all this is to grasp the ways in which DeMan's own conceptual apparatus sometimes called "rhetoric" -also has a mediatory function. Our discussion of hisExpand
Race, Nation, Class: Ambiguous Identities.
ion of the capitalist market, but with its concrete historical form: that of a 'world-economy' which is always already hierarchically organized into a 'core' and a 'periphery', each of which haveExpand
The Location of Culture
Acknowledgements, Introduction: Locations of culture, 1. The commitment to theory, 2. Interrogating identity: Frantz Fanon and the postcolonial prerogative, 3. The other question: Stereotype,Expand
Is Globalization Good for Women
IS GLOBALIZATION GOOD for women? The answer to this question obviously depends on what one means by "globalization" and by "good" and which "women" one has in mind. After explaining briefly what IExpand
Von Trier’s Cinematic Games
The Dogme95: Filmmaking as Game IN JORGEN LETH'S DE FEM BENSPAEND [THE FIVE OBSTRUCTIONS] (2003), director Lars von Trier demonstrates his well-known predilection for games. The film chroniclesExpand
The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change
The argument. Preface. Acknowledgements. Part I: The Passage from Modernity to Postmodernity in Contemporary Culture: . 1. Introduction. 2. Modernity and Modernism. 3. Postmodernism. 4. PostmodernismExpand
Postmodernism, or, the Cultural Logic of Late Capitalism
expressionism in painting, existentialism in philosophy, the final forms of representation in the novel, the films of the great auteurs, or the modernist school of poetry (as institutionalized andExpand
Cinema and Nation
Introduction 1. The Sociology of Nationalism 2. The Concept of National Cinema 3. Film Policy, Nationalism, and the State 4. The Production of National Images 5. The Reception of National Images
...
1
2
...