Historians on Hamilton: How a Blockbuster Musical Is Restaging America's Past
@inproceedings{Romano2018HistoriansOH, title={Historians on Hamilton: How a Blockbuster Musical Is Restaging America's Past}, author={Renee Christine Romano and Claire Bond Potter and William Hogeland and Joanne B. Freeman}, year={2018} }
7 Citations
Hope, Performative Diversity and re-production: Hamilton and COVID-era Politics
- ArtJournal of Intercultural Studies
- 2022
ABSTRACT During the COVID-19 pandemic, theatres around the world closed and performances moved online. Consequently, when the musical Hamilton opened in March 2021 in Australia, it was the only…
Hamilton: An American Founding Father—or an Other?
- ArtK@ta Kita
- 2022
Hamilton is a highly successful musical, both critically and commercially, which has been applauded for its revolutionary inclusivity: the musical famously casts people of color, despite its…
Performing Settler-Colonialism
- Art
- 2020
This essay brings together conceptualizations of populism in political science with those in literary and cultural studies. Theater historian Elizabeth Maddock Dillon’s theory of a »performative…
Choreographic Ghosts: Dance and the Revival of Shuffle Along
- ArtDance Research Journal
- 2019
In 2016, director George C. Wolfe and choreographer Savion Glover created Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed, a backstage musical about the 1921 show…
Being in “The Room Where it Happens”: Hamilton, Obama, and Nationalist Neoliberal Multicultural Inclusion
- HistoryTheatre Survey
- 2018
The two white male cosponsors, a Democrat and a Republican, dressed as King George and Hamilton, respectively, as they rapped the resolution in the state senate. In Hamilton, chief creator Lin-Manuel…