Hercules, Mummius, and the Roman Triumph in Aeneid 8

@article{Loar2017HerculesMA,
  title={Hercules, Mummius, and the Roman Triumph in Aeneid 8},
  author={Matthew P. Loar},
  journal={Classical Philology},
  year={2017},
  volume={112},
  pages={45 - 62}
}
B ook 8 of the Aeneid opens with Aeneas finally reaching the future site of rome, where he meets evander and the Arcadians sacrificing to Hercules in a grove near the banks of the Tiber. evander invites the Trojans to share the Arcadians’ feast, and after he sates his guests with food and wine he recounts the origins of the Arcadians’ ritual, relating how Hercules vanquished the robber-monster Cacus, erstwhile landlord of the Aventine. evander’s initial description of Hercules reveals a… 
11 Citations
The Porticus Liviae in Ovid’sFasti(6.637–648)
  • The Cultural History of Augustan Rome
  • 2019
Works Cited
  • The Cultural History of Augustan Rome
  • 2019
Index
  • The Cultural History of Augustan Rome
  • 2019
Introduction
Monument Men
Monumental Insignificance
  • D. Levene
  • Art
    The Cultural History of Augustan Rome
  • 2019
Cicero, quid in alieno saeculo tibi?
The Julian Calendar and the Solar Meridian of Augustus
  • P. Heslin
  • Physics
    The Cultural History of Augustan Rome
  • 2019
...
...

References

SHOWING 1-10 OF 45 REFERENCES
Hercules Musarum and the Porticus Philippi in Rome
The temple of Hercules Musarum in the southern part of the Campus Martius has been neglected, in part because no remains of it are visible today, in part because the cult is an anomaly. Yet it was an
Scipio Aemilianus, Lucius Mummius and the Politics of Plundered Art in Italy and Beyond in the 2nd Century B.C.E.
In 146 B.C.E. the cities of Carthage and Corinth were sacked and destroyed by the Romans. Although their political power had already diminished, both cities remained symbols of state identity and the
ROMAN ARCHAEOLOGY IN VERGIL'S ARCADIA (VERGIL ECLOGUE 4; AENEID 8; LIVY 1.7)
In this book seventeen leading scholars examine the interaction between historiography and poetry in the Augustan age: how poets drew on — or reacted against — historians’ presentation of the world,
The Museum of Augustus: The Temple of Apollo in Pompeii, the Portico of Philippus in Rome, and Latin Poetry
In the Odes, Horace writes of his own work, “I have built a monument more enduring than bronze,”—a striking metaphor that hints at how the poetry and built environment of ancient Rome are
Virgil's Augustan Temples: Image and Intertext in the Aeneid*
Abstract This article discusses the most memorable works of art described in Virgil's Aeneid (the paintings at the temple in Carthage, the doors of the temple in Cumae, the shield of Aeneas, and the
The Roman Triumph
The plan of the journey to Rome is resumed at the start of 1611. In January, Galileo asks and obtains from the Grand Duke the permission to leave. In fact, his journey is postponed once again,
THE EXTINCTION OF THE POTITII AND THE SACRED HISTORY OF AUGUSTAN ROME
In this book seventeen leading scholars examine the interaction between historiography and poetry in the Augustan age: how poets drew on — or reacted against — historians’ presentation of the world,
The poet and the prince : Ovid and Augustan discourse
In this fresh assessment of Ovid's fascinating poem "Fasti", Alessandro Barchiesi provides a new vision of the interaction between Ovid and the renowned ruler Augustus. "Fasti", a poem about the
Reading the Republican Forum: Virgil’s Aeneid, the Dioscuri, and the Battle of Lake Regillus
Krebs, Christopher B. 2006. “Imaginary Geography” in Caesar’s Bellum Gallicum. AJP 127: 111–36. Meier, Christian. 1995. Caesar: A Biography. New York. Micunco, Giuseppe. 1995. Il ponte sul Reno
Contested Triumphs: Politics, Pageantry, and Performance in Livy’s Republican Rome
Preface Introduction: Livy's Republican Rome PART I. SETTING STANDARDS: IMPERIO AUSPICIO DUCTU FELICITATE 1. Triumphal Decision Making and the SPQR 2. Consular Tribunes and Privati cum Imperio:
...
...