Hearing properties, effects, or parts?

@inproceedings{OCallaghan2011HearingPE,
  title={Hearing properties, effects, or parts?},
  author={Casey O’Callaghan},
  year={2011}
}
Sounds are audible, and sound sources are audible. What is the audible relation between audible sounds and audible sources? Common talk and philosophy suggest three candidates. The first is that sounds audibly are properties instantiated by their sources. I argue that sounds are audible individuals and thus are not audibly instantiated by audible sources. The second is that sounds audibly are effects of their sources. I argue that auditory experience presents no compelling evidence that sounds… Expand
Hearing objects and events
Through hearing we learn about source events: events in which objects move or interact so that they vibrate and produce sound waves, such as when they roll, collide, or scrape together. It is oftenExpand
The Polysemy Theory of Sound
Theorists have recently defended rival analyses of sound. The leading analyses reduce sound to sensations or mental representations (proximal theories of sound), longitudinal compression wavesExpand
Visual Endurance and Auditory Perdurance
Philosophers often state that the persistence of objects in vision is experienced differently than the persistence of sounds in audition. This difference is expressed by using metaphors from theExpand
Objects for multisensory perception
TLDR
Understanding perceptual objects as structured mereologically complex individuals thus provides a theoretically useful notion of an object for multisensory perception that resolves the puzzles of diversity and of unity. Expand
If Sounds Were Dispositions: A Framework Proposal for an Undeveloped Theory
In the realm of the philosophy of sounds and auditory experience there is an ongoing discussion concerned with the nature of sounds. One of the contestant views within this ontology of sound is thatExpand
The Subject-Dependency of Perceptual Objects
Entities that are, in ordinary perceptual situations, veridically presented as objects can be called ‘perceptual objects’. In the philosophical literature, one can find various approaches to theExpand
Sound and Illusion
In Sense and Sensibilia J.L. Austin mounts a polemical assault on a philosophical view of perception that is now rarely endorsed (the sense-datum theory), and much of Austin’s discussion is taken upExpand
A Sense So Rare: Measuring Olfactory Experiences and Making a Case for a Process Perspective on Sensory Perception
TLDR
This article challenges the standard categories through which most arguments in this debate have been framed to date and argues for an understanding of perception through a process view, rather than one pertaining to objects and properties of objects. Expand
The Ockhamization of the event sources of sound
Sound sources are objects, not events : there is no event that causes a sound, the sound is the event we hear.
Awful noises: evaluativism and the affective phenomenology of unpleasant auditory experience
According to the evaluativist theory of bodily pain, the overall phenomenology of a painful experience is explained by attributing to it two types of representational content—an indicative contentExpand
...
1
2
...

References

SHOWING 1-10 OF 41 REFERENCES
On the Diversity of Auditory Objects
This paper defends two theses about sensory objects. The more general thesis is that directly sensed objects are those delivered by sub-personal processes. It is shown how this thesis runs counter toExpand
Sounds and Temporality
What is the relationship between sounds and time? More specifically, is there something essentially or distinctively temporal about sounds that distinguishes them from, say, colors, shapes, odors,Expand
What is Sound
Our standard view about sound is incoherent. On the one hand, we suppose that sound is a quality, not of the object that makes the sound, but of the surrounding medium. This is the supposition of ourExpand
What Are Auditory Objects?
Our auditory experience involves the experience of auditory objects—sequences of distinct sounds, or parts of continuous sounds—that are experienced as grouped together into a single sound orExpand
Experiencing the Production of Sounds
It is often supposed that our experience of sounds is as of things distinct from the material world of sight and touch: reflecting on the character of our auditory experience might seem to confirmExpand
How we hear.
It must be stated at the outset of this discussion that there are still missing in the physiological processes of hearing enough details to make it impossible to describe, with finality, how we hear.Expand
BASIC SENSIBLE QUALITIES AND THE STRUCTURE OF APPEARANCE
A sensible quality is a perceptible property, a property that physical objects (or events) perceptually appear to have. Thus smells, tastes, colors and shapes are sensible qualities. An egg, forExpand
Seeing causings and hearing gestures
Cart humans see causal interactions? Evidence oil the visual perception of causal interactions, from Michotte to contemporary work, is best interpreted as showing that we call see some causalExpand
George Berkeley: Philosophical Writings: Three Dialogues between Hylas and Philonous
PHILONOUS: Good morrow, Hylas. I did not expect to find you abroad so early. HYLAS: It is indeed something unusual. But my thoughts were so taken up with a subject I was discoursing of last nightExpand
Naturalized Sense Data
This paper examines and defends the view that the immediate objects of visual perception, or what are often called sense data, are parts of the facing surfaces of physical objects-the naturalizedExpand
...
1
2
3
4
5
...