Harley Granville Barker: A very English avant-garde
@article{McCullough2007HarleyGB, title={Harley Granville Barker: A very English avant-garde}, author={Christopher McCullough}, journal={Studies in Theatre and Performance}, year={2007}, volume={27}, pages={223 - 235} }
Abstract This article argues that Granville Barker's claims to be recognised as part of a cultural avant-garde have been underrated. It reads him as a man who, having fought his way into the world of the intelligentsia, assimilated its developing values and expressed them in his three Shakespearean productions at the Savoy between 1912 and 1914.
One Citation
North Star and Southern Cross: Shakespeare's Comedies in Australia, 1903–1904
- LinguisticsNew Theatre Quarterly
- 2010
Michael Gow's celebrated play Away (1986) commences with a tatty school version of Shakespeare's A Midsummer Night's Dream. Set in the era of anti-Vietnam War protests, Away ironically salutes the…
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Harley Granville Barker was, in his day, the most famous and respected director in the British theater and his reputation as an actor and playwright stood almost as high. The author examines the…
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The importance of Granville Barker’s association with J. E. Vedrenne in the seminal Court seasons of 1904-1907 is one of the ‘givens’ of twentieth-century theatre history, as are Barker’s later,…
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His most recent publication is on The Merchant of Venice in the Shakespeare Handbooks series. E-mail