Gretel's Duck: The Escape from the Ogre in AaTh 327

  title={Gretel's Duck: The Escape from the Ogre in AaTh 327},
  author={Christine Goldberg},
Centrant son analyse sur le motif de l'ogre et du canard qui fait traverser la riviere a Hansel et Gretel dans le conte des freres Grimm, l'A. tente de montrer que cette version du conte, avec une poursuite a la fin, est typique et traditionnelle, le motif du canard ne constituant pas un simple ajout decoratif. Ce type correspond a une configuration fondamentale du conte-type AaTh 327 que l'on retrouve, au-dela de ses variantes europeennes, dans d'autres aires culturelles (Afrique, Asie… 
16 Citations
The Cambridge companion to fairy tales
Introduction Maria Tatar 1. Fairy tales, copyright, and the public domain Valdimar Hafstein 2. Female tricksters as double agents Maria Tatar 3. While beauty sleeps Shuli Barzilai 4. Fairy-tale
Sex, crime, magic, and mystery in theThousand and One Nights
One day, when Wardan wondered about this woman's story, he had a look at the gold coins that he had received from her. As he found them to be minted long ago, he was puzzled. At first he thought that
Mercantilist Treasure, Capitalist Circulation, and Gender Distinctions in the Grimm Brothers' Fairy Tale Hänsel und Gretel
Drawing on paradigms of the New Economic Criticism, this essay shows how subsequent editions of the Grimm Brothers' fairy tale Hansel und Gretel construe an increasingly complex network of economic
Narrative space and spatial transference in Jacob and Wilhelm Grimmʼs fairy tales
Owing to the lack of concrete information provided by the narratives and the genreʼs unspecified setting, narrative space in fairy tales has been lar


Le Conte de " La Chaudiere bouillante et la feinte maladresse " dans Finde et hors de l ' Inde