Gradation of Emphasis in the CinemaScope Westerns of Anthony Mann: A Style Analysis

@article{Roggen2016GradationOE,
  title={Gradation of Emphasis in the CinemaScope Westerns of Anthony Mann: A Style Analysis},
  author={Sam Roggen},
  journal={Projections},
  year={2016},
  volume={10},
  pages={25-48}
}
  • S. Roggen
  • Published 1 December 2016
  • Psychology
  • Projections

CinemaScope and the close-up/montage style: new solutions to familiar problems

  • S. Roggen
  • Art
    New Review of Film and Television Studies
  • 2019
ABSTRACT This article searches empirical support for the elimination of close-ups and fast cutting in early American CinemaScope films (1953–1959). While these transformations were commented upon

Listen and React: Acting Spaces in CinemaScope of the 1950s

  • S. Roggen
  • Art
    Quarterly Review of Film and Video
  • 2018
The introduction of the anamorphic widescreen process CinemaScope by 20th Century-Fox in 1953 aptly illustrates how the style of Classical Hollywood cinema was the result of particular production

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Acknowledgements 1. Authorship and Genre:Practice and Theory. 2. John Ford: Founding Father. 3. Anthony Mann: The Overreacher. 4. Budd Boetticher: Rules of the Game. 5. Sam Peckinpah:The Savage Eye.

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