Glass Plate Negatives. Preservation and Restoration

@inproceedings{Gillet1986GlassPN,
  title={Glass Plate Negatives. Preservation and Restoration},
  author={M. Gillet and Chantal Garnier and Françoise Flieder},
  year={1986}
}
2. PRESERVATION: BIBLIOGRAPHIC SURVEY 2.1 Deteriorations 2.2 Storage 2.3 Restoration 2.3.1 Cleaning of glass plate negatives 2.3.2 Adhesion of emulsion to glass 2.3.3 Glueing of broken or cracked plates 2.3.4 The transfer of the emulsion to another base 2.3.5 Chemical restoration 2.3.6 Duplication Conclusion 3. EXPERIMENTATION 3.1 Identification of the glass plate negative manufacturing process 3.2 Cleaning of the gelatin glass plates 3.3 Restoration of the peeling glass plate negatives… 
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The conservation of wet collodion positives
AbstractThe conservation problems of Ambrotypes are discussed with particular reference to reticulated black varnish backings and deteriorated or broken cover glasses. Electron-probe microanalysis…
Fungi as deterioration agents of historic glass plate negatives of Brandys family collection
Microbial Deterioration of Historic Glass Plate Negatives
TLDR
The Krieger collection, comprising 12 482 glass plate negatives made in the years 1880–1926, has been stored from 1968 in the Historical Museum of the City of Cracow, and 20 of them were found to be contaminated by fungal growth.
Silver mirroring on silver gelatin glass negatives
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AbstractThis article discusses an extensive project to preserve nearly 8,000 collodion glass plate negatives of portrait and field work by noted photographers Matthew Brady, William Henry Jackson,…
GENERATION OF A BENCHMARK DATASET USING HISTORICAL PHOTOGRAPHS FOR AN AUTOMATED EVALUATION OF DIFFERENT FEATURE MATCHING METHODS
  • Ferdinand Maiwald
  • Computer Science, Environmental Science
    The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences
  • 2019
TLDR
This contribution shows the generation of a benchmark dataset using historical images and shows how the estimated projective relative orientation could be used in an autocalibration approach to place the images in a metric scene.
Observations from the Analysis of the Gelatin Silver Emulsion Layer of Glass Photographic Inter-Positive Plates from Eadweard Muybridge’s Animal Locomotion Series at the National Museum of American History
SILVER MIRRORING ON SILVER GELATIN GLASS NEGATIVES
Scottish documentary photography and the archive : George M. Cowie, Franki Raffles and Document Scotland in the University of St Andrews Photographic Collection
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