Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World

@article{Cai2005GenderII,
  title={Gender Imaginations in Crouching Tiger, Hidden Dragon and the Wuxia World},
  author={R. Cai},
  journal={positions: east asia cultures critique},
  year={2005},
  volume={13},
  pages={441 - 471}
}
  • R. Cai
  • Published 2005
  • History
  • positions: east asia cultures critique
Taiwanese director Ang Lee’s creative trajectory exemplifies the growing trend of cross-cultural transmission. The most successful example of Lee’s border crossing in the era of globalization is without a doubt Crouching Tiger, Hidden Dragon, his first martial arts film. Only four months after it opened in December 2000, Crouching Tiger had grossed nearly $120 million and received almost universally enthusiastic reviews.1 It created a sensation at Cannes, claimed two awards at theGoldenGlobes… Expand
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