Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge

@article{Sharpe2005GenderNA,
  title={Gender, Nation, and Globalization in Monsoon Wedding and Dilwale Dulhania Le Jayenge},
  author={Jenny Sharpe},
  journal={Meridians: feminism, race, transnationalism},
  year={2005},
  volume={6},
  pages={58 - 81}
}
  • J. Sharpe
  • Published 1 October 2005
  • History
  • Meridians: feminism, race, transnationalism
T he crossover success of Mira Nair’s Monsoon Wedding (2001), whose characters speak English, Hindi, and Punjabi, lies in the skill with which the film acquaints a Western audience with the sights and sounds of the new global India. Set in a burgeoning New Delhi suburb, the film uses a lavish Punjabi wedding as an occasion for staging the reunion of family members who are scattered across the globe. But the idea of a global India does not simply refer to the large numbers of Indians (known as… 

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