Feminism reboot: Korean cinema under neoliberalism in the 21st Century

@article{Sohn2020FeminismRK,
  title={Feminism reboot: Korean cinema under neoliberalism in the 21st Century},
  author={Heeju Sohn},
  journal={Journal of Japanese and Korean Cinema},
  year={2020},
  volume={12},
  pages={98 - 109}
}
  • Heeju Sohn
  • Published 2 July 2020
  • Art
  • Journal of Japanese and Korean Cinema
ABSTRACT This paper examines recent feminist movements, which I am grouping together under the term ‘feminism reboot’, in the context of South Korea’s neoliberalization, with a focus on misogyny levelled against women. It first traces the emergence of social media-based feminism in Korea, following the democratization and market liberalization since the late 1980s and subsequent Korean films that used to showcase more diverse types of female characters up until the mid-1990s. But as misogyny… 
On the margins: action heroines in Coin-Locker Girl and The Villainess
ABSTRACT In this paper, I examine Coin-Locker Girl (Chainataun, Han Jun-hee, 2015) and The Villainess (Aknyeo, Jung Byung-gil, 2017), two recent examples of women-centred action genre films through

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