• Corpus ID: 10142851

Exoticism in Contemporary Transnational Cinema : Music and Spectacle

@inproceedings{Holloway2017ExoticismIC,
  title={Exoticism in Contemporary Transnational Cinema : Music and Spectacle},
  author={Royal Holloway},
  year={2017}
}
Ayson, John-Patrick; State University of New York, Buffalo “Margins and Extremes in Contemporary Filipino Cinema: Silence, Ellipses, Chaos and Cacophonies in Lav Diaz’ Ang Babaeng Humayo (The Woman Who Left) and Brillante Mendoza’s Kinatay (Butchered)” This presentation will delve into the silences, ellipses, chaos and cacophonies in contemporary Filipino cinema — within the context of fringe, marginal figures, extreme criminal practices and the infamous Manila traffic — particularly in Ang…