Embracing the Young Man in Love: Catullus 75 and the Comic Adulescens

@article{Uden2006EmbracingTY,
  title={Embracing the Young Man in Love: Catullus 75 and the Comic Adulescens},
  author={James Uden},
  journal={Antichthon},
  year={2006},
  volume={40},
  pages={19 - 34}
}
In the prologue of Terence's Eunuchus, written, according to the didascalia, in 161 BC, the author of the play defends himself against the charge of literary theft. He denies completely any knowledge on his part that the Greek plays he had combined to produce his own play had already been translated into Latin. In the alternative, he argues against the charge of comic theft by way of the very nature of stock characters. ‘If’, argues Terence, ‘a man isn't allowed to make use of the same… 
Egnatius the Epicurean: The Banalization of Philosophy in Catullus
Abstract This article offers a new examination of the place of philosophy in Catullus’ Carmina. It focuses on Egnatius, the ‘smiling Spaniard’ of poems 37 and 39, and argues that Catullus’ attacks on
Meter in Catullan invective: expectations and innovation
This dissertation examines the place of Catullus’ poetry in the iambic tradition and its innovation within that tradition. By the Classical period, the genre iambos had been distilled down to
Comic Callimacheanism in Catullus 67
summary: Catullus 67 makes heavy use of the narrative and discursive traditions of the Roman comic stage. Through a close reading of the poem, this article demonstrates that Catullus has skillfully

References

SHOWING 1-10 OF 32 REFERENCES
The Pro Caelio and Comedy
he Pro Caelio has been extremely well served by scholarship. It is the subject of a distinguished commentary, 1 and a succession of painstaking and often brilliant studies have been devoted both to
Cicero, Catullus, and the Language of Social Performance
Charm, wit and style were critical, but dangerous, ingredients in the social repertoire of the Roman elite. Their use drew special attention, but also exposed one to potential ridicule or rejection
Latin poets and Roman life
In "Latin Poets and Roman Life "Jasper Griffin studies the inter-relation of literature and life in the Augustan poets. The works of Virgil, Horace, Propertius and Ovid are characterized by a
New Comedy, Callimachus, and Roman Poetry
N 1895 Friedrich Leo,' observing thematic similarities between Roman comedy and Roman elegy, suggested the following scheme for the development of the latter genre: in the Hellenistic period a class
Cicero on the Emotions: Tusculan Disputations 3 and 4
The third and fourth books of Cicero's "Tusculan Disputations" deal with the nature and management of human emotion: first grief, then the emotions in general. Cicero presents the insights of Greek
Greek elegiac poetry : from the seventh to the fifth centuries BC
The Greek poetry of the archaic period that we call elegy was composed primarily for banquets and convivial gatherings. Its subject matter consists of almost any topic, excluding only the scurrilous
A Lover's Discourse: Fragments
An insight into the discourse a lover addresses to himself and to the imagined figure of his beloved. The text is structured as a dictionary and written in a series of aphorisms. Barthes is also the
Backgrounds to Augustan Poetry: Gallus Elegy and Rome
Preface 1. Introduction: from Catullus to Gallus 2. The Sixth Eclogue: Virgil's poetic genealogy 3. Gallus the elegist 4. Propertius' Monobiblos 5. Gallus and the Tenth Eclogue 6. Propertius: from
Allusion and Intertext: Dynamics of Appropriation in Roman Poetry
Preface List of abbreviations 1. Reflexivity: allusion and self-annotation 2. Interpretability: beyond philological fundamentalism 3. Diachrony: literary history and its narratives 4. Repetition and
Callimachus and Latin Poetry
Callimachus’ influence on the Latin new poets reflected their aesthetic and ethical rejection of the epic manner in favor of the focused and personal.
...
...