Diagramming practice and performance

Abstract

In this paper I seek to apprehend some of the powers of nonrepresentational practice and performance through an encounter with the rhythmic movement of the body. I concentrate on eurhythmics, a practice that emerged in Geneva in the late 19th century and early 20th century as an effort to improve musical appreciation through rhythmic movement. Drawing on… (More)

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Cite this paper

@inproceedings{Phelan2003DiagrammingPA, title={Diagramming practice and performance}, author={Peggy Phelan and Brian Massumi and Kanta Kochar-Lindgren and Derek P McCormack}, year={2003} }