Death sentences: from genesis to genre (Big Mama's parole)

@article{Jones2015DeathSF,
  title={Death sentences: from genesis to genre (Big Mama's parole)},
  author={D. Jones},
  journal={Women & Performance: a journal of feminist theory},
  year={2015},
  volume={25},
  pages={59 - 81}
}
  • D. Jones
  • Published 2015
  • Sociology
  • Women & Performance: a journal of feminist theory
This paper offers a meditation on the life and music of Willie Mae Thornton in order to theorize the production of voice and affect as critical sites of capitalist exploitation. Reorganizing the current discourse on subsumption, I situate the endemic crisis of agency under neoliberal capital in relation to the historical harvesting of black labor, aesthetics and culture. 

References

SHOWING 1-10 OF 46 REFERENCES
monstrous intimacies: making post-slavery subjects
  • 43
  • PDF
Methodology of the oppressed
  • 1,146
Upside Your Head!: Rhythm and Blues on Central Avenue
  • 22
The Uprising: On Poetry and Finance
  • 99
Ain't I a Woman: Black Women and Feminism
  • 1,654
...
1
2
3
4
5
...