Dante and the Classics

@article{HudsonWilliams1951DanteAT,
  title={Dante and the Classics},
  author={T. Hudson-Williams},
  journal={Greece and Rome},
  year={1951},
  volume={20},
  pages={38 - 42}
}
Thus was Dante welcomed by Homer, Virgil, Horace, Ovid, and Lucan, and invited to become a member of the select circle in Limbo, the upper section of Hell containing the souls of unbaptized infants and distinguished pagans. The commentators tell us that this account of himself has been adduced as a proof of Dante's modesty; I have never been able to discover who proposed this idea. The poets entered the Palace of Wisdom and later on took their stand on an eminence from which Dante had a good… 
5 Citations
Dante, Virgil, and Christianity: Or Statius, sin, and clueless pagans in Inferno IV
Dante’s relationship to the virtuous pagans, most especially Virgil, has long been a point of contention. Most scholars would agree that at the heart of Dante’s ambivalence toward classical antiquity
Works Cited
Ahern, J. (1997), ‘Singing the Book: Orality in the Reception of Dante’s Comedy’, in A. A. Iannucci (ed.), Dante: Contemporary Perspectives (Toronto and London), pp. 214–39. Altcappenberg, H. T. S.
Uncovering the Sources: Historical Characters in Dante's Divine Comedy
A lack of citation of Dante’s specific source material for historical characters who appear in the Divine Comedy is widespread throughout the commentary tradition. I performed a close textual