Danse Macabre: Temporalities of Law in the Visual Arts

  title={Danse Macabre: Temporalities of Law in the Visual Arts},
  author={D. Manderson},
Native dignity
ABSTRACT The article presents a reading of the painting Native Dignity (1860) by Anglo-Australian artist S T Gill. In treating the painting first as an artefact, the article shows how a discourse ofExpand
New (Post-?) Textualities and the Autonomy Claim: Rethinking Law’s Quest for Normative Convergence in Dialogue with Law and Aesthetics’ Heterodoxy
Beginning by offering an overview on legal aesthetic humanisms as a specific embodiment of critical discourse, and discussing the ways the recreation of juridical experience, rationality, and cultureExpand
From Speaking Truth to Power to Speaking Power’s Truth: Transnational Judicial Activism in an Increasingly Illiberal World
Since the early 1990s, constitutional rights—and international human rights—have been mobilised to transform structural conditions of injustice before courtrooms all around the world. From San JoseExpand
Queer Temporalities and Transgender Rights: A Hong Kong Case Study
This article investigates how theoretical explorations of queer time can shed light on our understanding of law. Taking transgender rights in Hong Kong as a case study, it argues that legal judgmentsExpand
Symposium: Drawing the Human
What does it mean to be human today in our globalised, technologised and hypermediated world? How do our modes of cultural representation relate to, affect and effect the role of being human? ThisExpand


A Philosophical Enquiry into the Sublime and Beautiful
Edited with an introduction and notes by James T. Boulton. 'One of the greatest essays ever written on art.'- The Guardian Edmund Burke's A Philosophical Enquiry into the Origin of our Ideas of theExpand
The Crisis of Reason
The origins of perspective
The National Picture: The Art of Tasmania’s Black War
How long can the history of Australia’s brutal foundation remain ‘forgotten’? Speaking about The National Picture, the National Gallery of Australia’s recent exhibition on ‘the art of Tasmania’sExpand
Here and Now: From “Aestheticizing Politics” to “Politicizing Art”
The relationship between art, law, and politics reached its zenith in the 1930s. This essay takes as its point of departure Walter Benjamin’s celebrated essay on the subject, and draws it into aExpand