Dance and Fetish: Phenomenology and Metz's Epistemological Shift
@article{Chateau2014DanceAF, title={Dance and Fetish: Phenomenology and Metz's Epistemological Shift}, author={Dominique Chateau and Martin Lefebvre}, journal={October}, year={2014}, pages={103-132} }
Christian Metz is remembered today as having almost single-handedly transformed the culture of film studies. This widely held view was summarized by one commentator, who wrote that “with Metz a new research paradigm is born, as well as a new generation of scholars. The ontological theories are followed by methodological theories.” According to another, “Metz exemplified a new kind of film theorist, one who came to the field already ‘armed’ with the analytic instruments of a specific discipline…
One Citation
Editors’ Introduction: What is Film Phenomenology?
- Philosophy, Art
- 2016
What is fi lm phenomenology? Trying to answer this question forces us to overlook a wide fi eld, the contours of which seem to be as vague as the foggy landscapes in an Antonioni or Angelopoulos fi…
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