Critical ResponseICorporate Authorship: A Response to Jerome Christensen

  title={Critical ResponseICorporate Authorship: A Response to Jerome Christensen},
  author={Peter Havholm and Elizabeth Sandifer},
  journal={Critical Inquiry},
  pages={187 - 197}
1 Citations
Titus, Broadway, and Disney's Magic Capitalism; or, the Wonderful World of Julie Taymor
Anderson argues that corporate or media allegory as a hermeneutic practice offers necessary context for understanding creative production and that, in the case of Julie Taymor’s film Titus , it


The End of Time
I discuss Julian Barbour's Machian theories of dynamics, and his proposal that a Machian perspective enables one to solve the problem of time in quantum geometrodynamics (by saying that there is no
A searchlight casts a mottled circle on a cloud at the 1930 Hollywood premiere of Hell's Angels in a photograph in Donald Crafton, The Talkies: American Cinema's Transition to Sound
  • essentially test marketed a dark reinterpretation of Batman with an adult readership" with The Dark Knight Returns
  • 1926
Batman Unmasked
See Griffin and Masters, Hit and Run