Creating a Visual Translation of Kurt Schwitters’s Ursonate

  title={Creating a Visual Translation of Kurt Schwitters’s Ursonate},
  author={Jack Ox},
  journal={Leonardo Music Journal},
  pages={59 - 61}
  • J. Ox
  • Published 6 July 2016
  • Art
  • Leonardo Music Journal
_ Thomson, 17ze Last Garcfen, intermedia performance combining experimental _ movement, music, video, visual design and technology, 1993. This work uses two _ interactive computer-music systems, a virtual stage set created by three channels = _ of interactive laser video disc, one channel of prerecorded video and MIDI_ = controlled stage lighting to address the impact of humankind on the land and of 

Figures from this paper

The Ways of Synesthetic Translation: Design models for media accessibility

Synesthetic translation, historically applied to artistic productions and in the twentieth century applied by scholars to neuroscience to explain the unity of the senses, is addressed, defined and

Analogy and Conceptual Blending are Part of a Visualization Toolkit for Artist s and Scientist s : In troducing the Cognitive Space Transfer

This paper demonstrates knowledge representation mapping techniques common in both the domains of art and science. Analogical mapping systems take information from a source domain and map that data

Taste, beauty, sublime: Kantian aesthetics and the experience of performance

What does it mean to have aesthetic experience? Is it something we are all capable of? Or is our capacity for aesthetic pleasure something we develop, like a skill? What do we mean when we declare

How metaphor functions as a vehicle of thought: Creativity as a necessity for knowledge building and communication

ABSTRACT Within this article we will question several common assumptions regarding knowledge building and dissemination, including scientific knowledge, and will argue that creativity is an essential

Schwitters’s Ursonate and the Merz Barn Wall

ABSTRACT This paper notes the importance of Kurt Schwitters’s Merz project to the modernist politics and poetics of exile of the 20th century. Placing the sound work of Schwitters within his full