Corpus ID: 126814713

Carnatic music: Svara, Gamaka, Motif and Raga identity

  title={Carnatic music: Svara, Gamaka, Motif and Raga identity},
  author={T. Krishna and Vignesh Ishwar},
Comunicacio presentada al 2nd CompMusic Workshop, celebrat els dies 12 i 13 de juliol de 2012 a Istanbul (Turquia), organitzat per CompMusic. 
Identifying gamakas in Carnatic music
In this work, an effort has been made to identify the gamakas present in a given piece of Carnatic music clip using Hidden Markov Model with average accuracy of 75.86%. Expand
Creating Research Corpora for the Computational Study of Music: the case of the CompMusic Project
  • X. Serra
  • Computer Science
  • Semantic Audio
  • 2014
Comunicacio presentada a la 53rd International Conference: Semantic audio, celebrada els dies 27 a 29 de gener de 2014 a Londres, Regne Unit.
Time-Delayed Melody Surfaces for Rāga Recognition
Comunicacio presentada a la 17th International Society for Music Information Retrieval Conference (ISMIR 2016), celebrada els dies 7 a 11 d'agost de 2016 a Nova York, EUA.
Modeling Ornaments in Carnatic Music Signals via Wavelets
This work reconstructs the gamakas of Carnatic music using wavelet synthesis and shows high correlation to recorded waveforms. Expand
Motif Spotting in an Alapana in Carnatic Music
An attempt is made to spot typical melodic motifs of a raga queried in a musical piece using a two pass dynamic programming approach, with pitch as the basic feature. Expand
Dunya: a system for browsing audio music collections exploiting cultural context
Comunicacio presentada a la 14th International Society for Music Information Retrieval Conference, celebrada a Curitiba (Brasil) els dies 4 a 8 de novembre de 2013.
Classification of Melodic Motifs in Raga Music with Time-series Matching
In this work, machine learning methods are used on labelled databases of Hindustani and Carnatic vocal audio concerts to obtain phrase classification on manually segmented audio using Dynamic time warping and HMM based classification on time series of detected pitch values used for the melodic representation of a phrase. Expand
Rāga Recognition based on Pitch Distribution Methods
This work brings together and discusses the previous computational approaches to rāga recognition correlating them with human techniques, in both Karṇāṭaka and Hindustānī music traditions. Expand
Grammar-constrained music generation for unconstrained doodling
This paper presents the mapping of the unconstrained doodling patterns received as user input to generate pleasant music using certain constraints from the genre of Hindustani and Carnatic music. Expand
Raga Verification in Carnatic Music Using Longest Common Segment Set
An attempt is made to mimic the listener in Carnatic music concerts by introducing a novel approach for matching, called Longest Common Segment Set (LCSS), which normalized with respect to its cohorts in two different ways. Expand