Brunelleschi and Bureaucracy: The Tradition of Public Patronage at the Florentine Cathedral

@article{Haines1989BrunelleschiAB,
  title={Brunelleschi and Bureaucracy: The Tradition of Public Patronage at the Florentine Cathedral},
  author={Margaret P.J. Haines},
  journal={I Tatti Studies in the Italian Renaissance},
  year={1989},
  volume={3},
  pages={89 - 125}
}
  • M. Haines
  • Published 1 January 1989
  • Art
  • I Tatti Studies in the Italian Renaissance
D , uring the fourteenth century the governing board of the Florentine Duomo evolved from a series of sporadic supervisory committees to an institution whose authority had been tested and structures refined in response to the gigantic problems of funding and design that arose during the construction of the new cathedral. This remarkable institution, the Opera of S. Maria del Fiore, has long been the object of scholarly interest. In the last century, the illustration of its institutional history… 
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Bibliography
  • Practice and Theory in the Italian Renaissance Workshop
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Bridging Dimensions: Verrocchio'sChrist and Saint Thomasas Absent Presence
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    Practice and Theory in the Italian Renaissance Workshop
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Conclusion
  • Practice and Theory in the Italian Renaissance Workshop
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Index
  • Practice and Theory in the Italian Renaissance Workshop
  • 2019
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60-64. For the basis in truth, even when distorted by partisan sentiments, of Manetti's account, see U. PROCACCI
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151ff, "Die Domopera"; and C. MACCARI, "Le Opere del Duomo in Toscana
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Additional references in SAALMAN, op. cit. (see note 2), docs. 253.9-10, 253
Bigallo) showing the cathedral complex
totum populum clamare magno desiderio, quod detur modus ad habitandum totum templum". '09 POGGI, op. cit. (see note 106