• DOI:10.1162/089892900562183
• Corpus ID: 6205775

Brain Indices of Music Processing: Nonmusicians are Musical

@article{Koelsch2000BrainIO,
  title={Brain Indices of Music Processing: Nonmusicians are Musical},
  author={Stefan Koelsch and Tomas Gunter and Angela D. Friederici and Erich Schrger},
  journal={Journal of Cognitive Neuroscience},
  year={2000},
  volume={12},
  pages={520-541}
}

• S. Koelsch, T. Gunter, +1 author Erich Schrger
• Published 1 May 2000
• Psychology
• Journal of Cognitive Neuroscience

Only little systematic research has examined event-related brain potentials (ERPs) elicited by the cognitive processing of music. The present study investigated how music processing is influenced by a preceding musical context, affected by the task relevance of unexpected chords, and influenced by the degree and the probability of violation. Four experiments were conducted in which nonmusicians listened to chord sequences, which infrequently contained a chord violating the sound expectancy of listeners. Integration of in-key chords into the musical context was reflected as a late negative-frontal deflection in the ERPs. This negative deflection declined towards the end of a chord sequence, reflecting normal buildup of musical context. Brain waves elicited by chords with unexpected notes revealed two ERP effects: an early right-hemispheric preponderant-anterior negativity, which was taken to reflect the violation of sound expectancy; and a late bilateral-frontal negativity. The late negativity was larger compared to in-key chords and taken to reflect the higher degree of integration needed for unexpected chords. The early right-anterior negativity (ERAN) was unaffected by the task relevance of unexpected chords. The amplitudes of both early and late negativities were found to be sensitive to the degree of musical expectancy induced by the preceding harmonic context, and to the probability for deviant acoustic events. The employed experimental design opens a new field for the investigation of music processing. Results strengthen the hypothesis of an implicit musical ability of the human brain.