Belgium, the Congo, and Imperial Immobility: A Singular Empire and the Historiography of the Single Analytic Field

@article{Stanard2014BelgiumTC,
  title={Belgium, the Congo, and Imperial Immobility: A Singular Empire and the Historiography of the Single Analytic Field},
  author={Matthew G. Stanard},
  journal={French Colonial History},
  year={2014},
  volume={15},
  pages={109 - 87}
}
A la suite de sa parution en 1997, la collection Tensions of Empire: Colonial Cultures in a Bourgeois World, publiée sous la direction de Frederick Cooper et Ann Laura Stoler, a eu une influence croissante et justifiée. En conséquence, les historiens des empires européens considèrent de plus en plus les pays colonisateurs et leurs colonies du point de vue d’un “single analytic field” ou “champ analytique commun.” Cette tendance représente un véritable tournant historiographique. Toutefois, ce… 

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RMHP_A_283698 2937..2948

1Unit of Community Medicine, Faculty of Medicine and Defence Health, National Defence University of Malaysia, Kuala Lumpur, Malaysia; 2Department of Public Health, North South University, Dhaka,

Introduction

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Conclusion

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The Second World War and Its Aftermath

Index

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This article is the second part of a three-part study of Belgian art nouveau as “imperial modernism,” created from Congo raw materials and inspired by Congo motifs. While Part I explored the lash,

Art Nouveau, Art of Darkness: African Lineages of Belgian Modernism, Part III

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This article is the last of a three-part study that identifies Belgian art nouveau as “imperial modernism” and its interlocking history with the Royal Museum for Central Africa. Part III opens by

A Colonial Lexicon: Of Birth Ritual, Medicalization, and Mobility in the Congo

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