Before the Odalisque: Renaissance Representations of Elite Ottoman Women

  title={Before the Odalisque: Renaissance Representations of Elite Ottoman Women},
  author={Heather Madar},
  journal={Early Modern Women: An Interdisciplinary Journal},
  pages={1 - 41}
  • H. Madar
  • Published 1 September 2011
  • History
  • Early Modern Women: An Interdisciplinary Journal
4 Citations
“The Greatest Empresse of the East”: Hurrem Sultan in English Restoration Drama
Citation: Sahin Gulter, I. (2021). “The greatest empresse of the east”: Hurrem Sultan in english restoration drama. Litera, 31(1), 203-227. ABSTRACT The
Clothing as Culture: Delineating National Character in Costume Prints, c. 1600-1650
At the turn of the seventeenth century, European printmakers began issuing single-sheet series portraying how people dressed in different parts of the world. These works are only briefly acknowledged
Enemy Enticements: A Habsburg Artist in Süleyman’s Capital City
SUMMARY: Among the many sources about the Ottoman empire gathered by European literates and artists at the time of the clash between the empires of Charles V or Philip II and the Sultan Süleyman the


The Eroticized Orient : Images of the Harem in Montesquieu and His Precursors
Possibilite d'une radicale mais necessaire dependance entre la sexualite orientale sans limites et son image violente dans les « Lettres Persanes » et chez les voyageurs Jean Chardin et J. B.
On the Origin of the Ottoman Emperors.
Introduction On the origin of the Ottoman Emperors Dedication Part I Part II Part III Part IV Bibliography Index.
"Having It Off" with Fish, Camels, and Lads: Sodomitic Pleasures in German-Language Turcica
Dans cet article, l'A parcours la litterature des XV-XVIemes siecles concernant les comportements et moeurs sexuels des Ottomans. L'A analyse ici les constructions sociales des discours de l'epoque
The World in Venice: Print, the City, and Early Modern Identity
Positing a dynamic relationship between print culture and social experience, Bronwen Wilson's The World in Venice focuses on the printed image during a century of profound transformation. City views,
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Quotations taken from the 1567 English translation by Moflfan , in William Painters The Second Tome of the Palace of Pleasure
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  • Renaissance Representations of Elite Ottoman Women 41 Catherine Richardson (Aldershot: Ashgate, 2004), 29-47; and Ulinka Rublack, Dressing Up: Cultural Identity in Renaissance Europe
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