• Corpus ID: 54614826

Art as an agonistic intervention in public space

  title={Art as an agonistic intervention in public space},
  author={Chantal Mouffe},
The Belgian political philosopher Chantal Mouffe defines the public space as a battleground on which different hegemonic projects are confronted, without any possibility of final reconciliation. According to Mouffe, critical artistic practices can play an important role in subverting the dominant hegemony in this so-called 'agonistic' model of public space, visualizing that which is repressed and destroyed by the consensus of post-political democracy. 
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See for instance their book The Yes Men. The True Story of the End of the World Trade Organization published by The Disinformation Company Ltd
  • 2004
Some Provisional Remarks on Art and Politics
  • The Showroom Annual
  • 2003
For a development of this 'agonistic' approach, see Chantal Mouffe
  • The Democratic Paradox
  • 2000
Artistic Autonomy