Anna Sokolow: A Seminal Force in the Development of Theatrical Dance in Israel

@article{Rottenberg2013AnnaSA,
  title={Anna Sokolow: A Seminal Force in the Development of Theatrical Dance in Israel},
  author={Henia Rottenberg},
  journal={Dance Chronicle},
  year={2013},
  volume={36},
  pages={36 - 58}
}
This essay offers a historical framework for examining Anna Sokolow's contribution to the development of theatrical dance in Israel from the middle of the 1950s to the end of the 1980s. The sociopolitical and artistic conditions in Israel at the time of Sokolow's first encounter with its dance scene serve as a backdrop for investigating the contribution of her Lyric Theatre (1962–64) and examining why, despite the company's short life, Sokolow is still heralded as a profound influence on… 
Dance in Israel as a historical discourse about change (1920‒2010)
  • R. Eshel
  • Sociology, Political Science
  • 2017
Abstract This article discusses the evolution of concert dance in Israel from the 1920s to the current blossoming of the 2010s. The way dance in Israel has evolved reflects the many changes in
Introduction
Some form of dance has existed in society since the early days. For example, ballet as a formalised form of dance has existed since the fifteenth century in Italy, from where it spread to France and
The Hora as a ritual in lyrics: interpretations of ritualistic texts
Abstract The early Zionist pioneers adopted the Hora dance as an expression of their special experience, and saw it as a (quasi-)religious expression of themselves. This article studies the way Hora
Batsheva Dance Company: Learning and Dancing the Graham Repertory
ABSTRACT This article focuses on the first decade of existence of Batsheva Dance Company (1964–1975), founded by the baroness Bethsabée de Rothschild as a repertory company under the artistic advisor

References

SHOWING 1-10 OF 45 REFERENCES
Concert Dance in Israel
  • R. Eshel
  • History
    Dance Research Journal
  • 2003
Israel is a society of Jewish immigrants who have returned to their ancient biblical homeland. It is also a complex society made up of people of varied cultures and ideologies, enduring changing
Stepping Left: Dance and Politics in New York City, 1928-1942
Stepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern
Introduction
TLDR
Animal models of progeria could serve as test bed for drug development to prevent normal aging, and the results have potentially wider implications for researchers studying the much larger field of ‘normal’ aging in the elderly, too.
Dance Chronicle
  • 2015
Concert Dance in Israel (1920–2008),
  • Dance Discourse in Israel, ed. Henia Rottenberg and Dina Roginsky (Tel Aviv: Resling,
  • 2009
Batsheva Dance Company 1964-–1980
  • My Story (Jerusalem: Carmel,
  • 2006
Sokolow's biographer, who dedicated two chapters to her activity in Israel in Anna Sokolow: The Rebellious Spirit
  • 2005
The Rebellious Spirit (Princeton, N
  • J.: Dance Horizons, 1991). One chapter focused on her work with Inbal and the other on the Lyric Theatre. In A Story of a Company: Sara Levi-Tanai and Inbal Dance-Theatre
  • 2005
Levi-Tanai and Her Choreography (Tel Aviv: Inbal Dance Theatre, The Ethnic Multicultural Center Inbal
  • [Hebrew],
  • 2002
...
1
2
3
4
5
...