• Corpus ID: 41923478

A Virtual Piano Concerto - Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in the "The Seven Wonders of the Ancience World"

@inproceedings{Jaffe1994AVP,
  title={A Virtual Piano Concerto - Coupling of the Mathews/Boie Radio Drum and the Yamaha Disklavier Grand Piano in the "The Seven Wonders of the Ancience World"},
  author={David A. Jaffe and W. Andrew Schloss},
  booktitle={ICMC},
  year={1994}
}
A special class of feedback delay networks using circulant matrices is proposed. These structures can be efficiently implemented and allow to control the time and frequency behavior. Several applications of circulant feedback delay networks in audio signal processing are presented. 

Applications of the phase vocoder in the control of real‐time electronic musical instruments

TLDR
By using the sound of a traditional instrument to control a synthesiser, it may be possible to take advantage of the former's more subtle control possibilities and overcome inaccuracies of the phase vocoder.

Intimate control for physical modeling synthesis.

TLDR
A new, low-cost sensor design capable of generating a 2D force signal, a new implementation of the 2D digital waveguide mesh, and two experimental computer music instruments that combine these components using different metaphors are presented.

Orchestrating the Chimera: Musical Hybrids, Technology and the Development of a “Maximalist” Musical Style

This article describes the “maximalist” approach the author takes in his musical composition. This approach embraces heterogeneity and allows for complex systems of juxtapositions and collisions, in

New algorithms and technology for analyzing gestural data

  • W. A. SchlossP. Driessen
  • Computer Science
    2001 IEEE Pacific Rim Conference on Communications, Computers and Signal Processing (IEEE Cat. No.01CH37233)
  • 2001
TLDR
The ways in which gestural data are analyzed as if they were an audio signal are described, and applying this technique to the radio drum, a novel three-dimensional controller that one of the authors uses regularly for concert performances.

Using Contemporary Technology in Live Performance: The Dilemma of the Performer

TLDR
The use of computers in live performance has resulted in a situation in which cause-and-effect has effectively disappeared, and how this affects contemporary performance and the relationship between the performer and the audience is shown.

Designing Musical Interfaces with Composition in Mind

TLDR
This paper addresses three different strategies to map real-time synthesis of sounds and controller events, each of which uses external events such as natural phenomena to influence a synthesis model.

Design of virtual three-dimensional instruments for sound control

TLDR
An environment for designing virtual instruments with 3D geometry has been prototyped and applied to real-time sound control and design and should prove useful as a (musical) instrument prototyping tool and as a tool for researching the optimal adaptation of machines to humans.

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