author={Jean Luc Nancy},
  journal={Journal of European Studies},
  pages={14 - 18}
  • J. Nancy
  • Published 2004
  • Journal of European Studies
This article attends to the film’s re-reading of Melville in terms of a presentation of an a-religious religion. The film’s display of beauty and its engagement with both the sufficiency and vulnerability of this beauty is seen to partake of a philosophical and cinematic questioning of an aesthetic of auto-sacralization and the chances of an atheist art. 
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