A House Divided? Christian Music in Black and White

  title={A House Divided? Christian Music in Black and White},
  author={Omotayo O. Banjo and Kesha Williams},
  journal={Journal of Media and Religion},
  pages={115 - 137}
This study examines racial discourse evident in gospel music, a predominantly African American genre and contemporary Christian music (CCM), a predominantly White American genre. Analyzing 45 songs on the Billboard year-end charts for 2007 and 2008, the study reveals differences in messages predicated on sociocultural influences. Whereas gospel songs, possessing roots in blues, emphasize opposition and overcoming, CCM songs, establishing its root in the aftermath of the Hippie movement… 

…And House Music Was Born: Constructing a Secular Christianity of Otherness

ABSTRACT The stories of both disco and house music are often marginalized in the broader narrative of popular music, but house music’s stylistic features are reflective of wider sociocultural

The impact of race on perceptions of authenticity in the delivery and reception of African American gospel music

Radhika Gajjala, Advisor Can a gospel choir made up of more White singers than Black create authentic gospel music? This project examines how racial perceptions, a persistent factor in American

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Contemporary Christian music (or CCM—and occasionally "inspirational music") is a genre of modern popular music which is lyrically focused on matters concerned with the Christian faith. It formed as

White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity

  • S. Said
  • Political Science
  • 2021
It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of

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Drawing from social location and the uses and gratification approach, the purpose of this study is to examine the reasons Christian music listeners engage with different types of Christian music.

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Evangelical rap may sound like an oxymoron, but it was one of the most important trends in evangelical America as the Christian right rose to new levels of power in the 1990s. The trio DC Talk sold

Lex Cantandi, Lex Credendi: A Content Analysis of Organizational Identity-Constructing Pronouns in Pre- and Post-Vatican II Catholic Hymns

ABSTRACT This article asks whether hymns written prior to and following the Second Vatican Council (Vatican II) differ significantly in their use of self- and divine-referential pronouns and answers

Predictors of mental health in emerging adult offspring of lesbian-parent families

The findings revealed that the predictors of mental health in these offspring were typical of what has been previously reported on emerging adults, however, offspring who reported stigmatization because of their parents’ sexual identity had higher rates of behavioral/emotional problems than those who did not.



Music and Mediated Religious Identity: "Jesus Freak"

Contemporary Christian Music (CCM) is a genre that uses popular styles to express religious ideas. "Jesus Freak" (McKeehan & Heimermann, 1995), an enormously successful CCM song, is approached from

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Introduction by Ferdinand Jones and Arthur C. Jones Prologue - "Effendi" by Michael S. Harper Biographical Sketches of Chapter Authors Upon this Rock: The Foundational Influence of the Spirituals by

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In this article I look at the contemporary Christian music industry and the issue of race. Racial reconciliation and inclusiveness have been part of an ongoing discourse and larger movement gaining

Apostles of Rock: The Splintered World of Contemporary Christian Music by Jay R. Howard and John M. Streck. Lexington, KY: University Press of Kentucky, 1999, 299+vii pp., $29.95

Contemporary Christian music is one of the fastest growing areas of popular music. CCM is heard on more than 500 radio stations throughout America, and outsells both jazz and classical music in

The Power of Black Music: Interpreting Its History from Africa to the United States

Floyd has written a path-breaking book on the development of African-American music and its influence in America. He shows how African myths and ritual - especially the "ring-shout" dances that were

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In recent years, the leaders of the American evangelical movement have brought their characteristic passion to the problem of race, notably in the Promise Keepers movement and in reconciliation

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Without Divine Intervention: Contemporary Christian Music Radio and Audience Transference

A historical multistation, single market switch in radio frequencies provides the context for a case study analysis of Contemporary Christian Music (CCM) radio. This investigation explores the

In the Heat

In the United States, black men who seek to feel each other sexually and/ or emotionally encounter a number of historical and contemporary obstacles to doing so. From a historical context, as early

Why Are All the Black Kids Sitting Together in the Cafeteria? And Other Conversations About RaceWhy Are All the Black Kids Sitting Together in the Cafeteria? And Other Conversations About Race Beverly Daniel Tatum Basic Books, 1997. 464 pp.

This chapter discusses identity development in Multiracial Families, which is more than just Black and White, and white identity and Affirmative Action.