“La música en las casas”: Musicalizations in La casa de papel and La casa de las flores and Netflix’s Global Audience
@article{Avila2019LaME, title={“La m{\'u}sica en las casas”: Musicalizations in La casa de papel and La casa de las flores and Netflix’s Global Audience}, author={Jacqueline A. Avila}, journal={American Music}, year={2019}, volume={37}, pages={472 - 492} }
My first experience with Spanishlanguage television came in the form of the telenovela, soap operas from Latin America that follow a group of characters (generally a family or closeknit group of friends) through varying life changes, both socially and culturally. These shows were/ are highly melodramatic, including a turbulent romance, a rupture in familial dynamics, severe social inequalities, and even a kidnapping or two: “Telenovelas are a very well established genre that garners large…
One Citation
Release of the Fourth Season of Money Heist: Analysis of Its Social Audience on Twitter during Lockdown in Spain
- BusinessInf.
- 2020
This research focuses on the specific case of the lockdown in Spain and the coincidence with thelaunch of the fourth season of Money Heist compared to the launch of season three, in which the related concepts of coronavirus, television, and Video on Demand (VOD) platforms are presented.
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