‘Happy Diwali!’ Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand

  title={‘Happy Diwali!’ Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand},
  author={Henry Johnson},
  journal={Ethnomusicology Forum},
  pages={71 - 94}
  • H. Johnson
  • Published 1 June 2007
  • Sociology
  • Ethnomusicology Forum
One of the more recent annual cultural highlights in Auckland and Wellington, New Zealand, is the public celebration of Diwali, the Hindu ‘Festival of Lights’. Since 2002, Diwali has been presented to a wider New Zealand public as a particularly visible performance event. The festival is showcased as a way of celebrating New Zealand's various South Asian communities, and has been placed into a spatial terrain that has performance at its core. Drawing on ethnographic field research at Diwali… 
“Our dance is a celebration of the fabric of modern New Zealand”: Identity, Community, Solidarity and Citizenship at Youth Polyfests in Aotearoa New Zealand
One feature of the growing levels of cultural diversity in Aotearoa New Zealand has been the growth of cultural festivals. These originated primarily for Pacific groups to maintain and sustain
Strategic Solidarities: Cultural Festivals, Relational Encounters and Diasporic Youth Identities
ABSTRACT Cultural festivals have grown in diversity, scale and popularity in many migrant-receiving societies in recent years and schools have increasingly become involved in supporting these for
‘Food for thought’: filmic recipes for New Zealand's multiculturalism
Through the analysis of Fleeting Beauty (2004) by Virginia Pitts, Eating Sausage (2004) by Zia Mandviwalla and Coffee and Allah (2007) by Sima Urale, three short films whose plots revolve around food
Negotiating diasporic culture: festival collaborations and production networks
Purpose Within New Zealand, cultural festivals play a vital role in the local representation of diasporic cultures. By analysing the production design of festivals, in Auckland, New Zealand
Why Taiko? Understanding Taiko performance at New Zealand's first Taiko Festival.
Established and active taiko (Japanese drumming) groups in New Zealand have a relatively short history. While one group was founded nearly two decades ago, and has a connection to tertiary education,
The Festivalization of Pacific Cultures in New Zealand: Diasporic Flow and Identity within Transcultural Contact Zones
Pacific festivals in the twenty-first century are a highly visible feature of New Zealand's festival landscape, with some twenty-five annual events taking place along the length of the country. This
Bharatanatyam in New Zealand: A story of dance, diaspora and cultural change
Experiences of migration or diaspora has led to new predicaments for maintaining dance traditions (Ahmed, 2013; Brooks & Meglin, 2011). Current research is exploring how migrants learn to inhabit
Linking Geographical and Sociological Interpretations: Place, Society and Diwali around the World
Introduction This chapter looks at a festival held around the globe. The Diwali (also called Deepavali) Festival is “the annual festival of light celebrated every autumn around the world”
Unexpected musical worlds of Vienna: Immigration and music
Vienna has been and still is the ‘City of Music’ at a crossroads of international flow and immigration. This unique condition of Vienna arises from its history as the capital of the Austro-Hungarian
Production Networks: Indian Cultural Production in Aotearoa, New Zealand
  • A. Booth
  • Sociology
    European Journal of Tourism Research
  • 2016
Goal and objectives of the dissertationGoalThe aim of this research is to examine the ways producer identity affects production practice and, ultimately, cultural representation in a diasporic


Bridges to the Ancestors: Music, Myth, and Cultural Politics at an Indonesian Festival
The spectacular Lingsar festival is held annually at a village temple complex built above the most abundant water springs on the island of Lombok, near Bali. Participants come to the festival not
The southernmost Indian Diaspora: From Gujarat to Aotearoa*
These youths were prepared to engage in senseless violence that brought little material gain. They were Maori while the direct victims were New Zealand Gujaratis; Navin who had emigrated to New
Bollyworld : popular Indian cinema through a transnational lens
PART ONE: TOPOGRAPHIES Not Quite (Pearl) White - Rosie Thomas Fearless Nadia, Queen of the Stunts Figures of Locality and Tradition - Kajri Jain Commercial Cinema and the Networks of Visual Icons and
Subcultural Sounds: Micromusics of the West
The study of subcultural musics, what Mark Slobin calls "small musics in big systems," is characterized by a tremendously expanding search for cultural identity within multiethnic societies that are
Music and the racial imagination
"A spectre lurks in the house of music, and it goes by the name of race", write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely
Bollywood Cinema: Temples of Desire
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by
Diasporas and Interculturalism in Asian Performing Arts: Translating Traditions
Acknowledgements Notes on contributors Introduction Hae-kyung Um Part I: Asian Diasporas and Performing Arts 1. Power, Identity, Modernity and the Performing Arts among Diasporas: Background Ideas
Georges woke up laughing
Combining history, autobiography, and ethnography, Georges Woke Up Laughing provides a portrait of the Haitian experience of migration to the United States that illuminates the phenomenon of
“Indian” music in the diaspora: Case studies of “chutney” in Trinidad and in London
This paper examines the musical genre “chutney” as an Indian‐Caribbean tradition, and as an expression of identity in both Caribbean and British contexts. The tradition was shaped by historical