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Myxobolus honghuensis n. sp. is described from allogynogenetic gibel carp Carassius auratus gibelio (Bloch), during a survey of myxosporean parasites in Honghu Lake, Hubei Province, China. It is characterized by the presence of round plasmodia of 5–12 mm in diameter in the pharynx of host. Mature spores of M. honghuensis were pyriform in frontal view and(More)
During a survey of myxozoan parasites of common carp Cyprinus carpio in Honghu Lake, Hubei Province, China, a parasite was collected that was identified as Myxobolus dispar based on an earlier description from China. However, the small subunit ribosomal DNA of this species shared only 90 % similarity with M. dispar, instead matching M. musseliusae with 100(More)
In this paper, we describe the methods designed for extracting the affective features from the given music and predicting the dynamic emotion ratings along the arousal and valence dimensions. The algorithm called Arousal-Valence Similarity Preserving Embedding (AV-SPE) is presented to extract the intrinsic features embedded in music signal that essentially(More)
As the fast development of Internet of Things (IoT), protection of security and privacy of user data in IoT devices and networks is getting more and more attention. To guarantee this protection, IoT devices are usually authenticated and the communication within the IoT network is encrypted. Therefore, it is important to have IoT devices agree keys with each(More)
In this paper, we describe the models designed for automatically selecting multimedia data, e.g., image and video segments , which are considered to be interesting for a common viewer. Specifically, we utilize an existing dimensionality reduction method called Neighborhood MinMax Projections (NMMP) to extract the low-dimensional features for predicting the(More)
In this paper, we present the algorithm designed for mining emotional features of movies. The algorithm dubbed Arousal-Valence Discriminant Preserving Embedding (AV-DPE) is proposed to extract the intrinsic features embedded in movies that are essentially differentiating in both arousal and valence directions. After dimensionality reduction, we use the(More)
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