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Socialism or Art: Yugoslav Mass Song and Its Institutionalizations
The genre of the mass song is one of the fundamental phenomena in aesthetics and practice of socialist realism. Mass songs are supposed not only to be accessible to the lay audience, but also to beExpand
Rhythmanalysis of the Policescape: The Promise of an Ecological Turn in the Practice of Soundscape Studies
Employing Henri Lefebvre’s concept of rhythmanalysis I argue for an ecological turn in practicing soundscape studies, which would entail putting the subject – the listener, or “rhythmanalysist” – inExpand
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Cements for Obtaining High Performance Concrete
In mix proportioning of concrete ordinary Portland cement remains a basic hydraulic binder. Because of more and more frequent use of high-performance criteria for quality of concrete there is a needExpand
Hybrid Affects of Religious Nationalism: Pilgrimages to Kosovo and the Soundscapes of the Utopian Past
In this paper I analyze the contemporary practice of Serbian pilgrimages to Kosovo, which have been on the rise in the aftermath of the Kosovo Declaration of Independence. Designating the SerbianExpand
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‘The Song Has Kept Us’: Soundscape of Belgrade during the NATO Bombing
Abstract In this article I explore the sonic and music practices in the experience of the NATO bombing of Belgrade, focusing particularly on their role in the governmental apparatuses both of theExpand
Recycled Music for Banal Nation: The Case of Serbia 1999– 2010
In this chapter I address the ways in which popular music genres have been recycled in the Serbian post-socialist political landscape. Specifically, I analyse how Western-styled music production wasExpand
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Stevan Stojanović Mokranjac and Producing the Image of Serbian Folk-Song: Garlands from »Old Serbia« as a Form of Musical Travelogue
By positioning Mokranjac’s garlands from Kosovo and Macedonia into the context of travelogues from “Old Serbia”, I will argue that their political significance lay in purported adherence to folkloreExpand
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Sound of Kaval and Visions of Serbian Homeland
Following the exclusion of Kosovo from the authority of the Republic of Serbia in 1999, and the fall of Slobodan Milošević’s regime in 2000, the Serbian music production scene witnessed theExpand
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