Rumi Tokunaga

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Contrary to the implication of the term "lightness constancy", asymmetric lightness matching has never been found to be perfect unless the scene is highly articulated (i.e., contains a number of different reflectances). Also, lightness constancy has been found to vary for different observers, and an effect of instruction (lightness vs. brightness) has been(More)
Although asymmetric colour matching has been widely used in experiments on colour constancy, an exact colour match between objects lit by different chromatic lights is impossible to achieve. We used a modification of this technique, instructing our observers to establish the least dissimilar pair of differently illuminated coloured papers. The stimulus(More)
Observers viewed two side-by-side arrays each of which contained three yellow Munsell papers, three blue, and one neutral Munsell. Each array was illuminated uniformly and independently of the other. The neutral light source intensities were 1380, 125, or 20 lux. All six possible combinations of light intensities were set as illumination conditions. On each(More)
Observers can easily differentiate between a pigmented stain and the white surface that it lies on. The same applies for a colour shadow cast upon the same surface. Although the difference between these two kinds of colour appearance (referred to as material and lighting hues) is self-evident even for inexperienced observers, it is not one that has been(More)
Colour constancy needs to be reconsidered in light of the limits imposed by metamer mismatching. Metamer mismatching refers to the fact that two objects reflecting metameric light under one illumination may reflect non-metameric light under a second; so two objects appearing as having the same colour under one illuminant can appear as having different(More)
The appearance of colors can be affected by their spatiotemporal context. The shift in color appearance according to the surrounding colors is called color induction or chromatic induction; in particular, the shift in opponent color of the surround is called chromatic contrast. To investigate whether chromatic induction occurs even when the chromatic(More)
It is generally accepted that hues can be arranged so as to make a circle. The circular representation of hue has been supported by multidimensional scaling, which allows for the representation of a set of colored papers as a configuration in a Euclidean space where the distances between the papers correspond to the perceptual dissimilarities between them.(More)
Despite numerous prior studies, important questions about the Japanese color lexicon persist, particularly about the number of Japanese basic color terms and their deployment across color space. Here, 57 native Japanese speakers provided monolexemic terms for 320 chromatic and 10 achromatic Munsell color samples. Through k-means cluster analysis we revealed(More)
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