Breaking the Butterfly: The Politics of David Henry Hwang
- R. Wilcher
- Art
- 1 March 1990
In the last several years, theatre journals have given an unusual amount of attention to the politics of theatre, Modern Drama among them.' It would seem that theatre scholarship has once more turned…
The writing of royalism, 1628-1660
- R. Wilcher
- History
- 2001
Illustrations Acknowledgements Introduction 1. The halcyon days: 1628-37 2. The Bishop's Wars and the Short Parliament: July 1637-October 1640 3. The Long Parliament and the trial of Strafford:…
Dramatists and the Bomb: American and British Playwrights Confront the Nuclear Age, 1945-1964 by Charles A. CarpenterMirrors of Our Playing: Paradigms and Presences in Modern Drama by Thomas R.…
- R. Wilcher
- ArtYearbook of English Studies
- 1 January 2022
Dramatists and the Bomb: American and British Playwrights Confront the Nuclear Age, 1945-1964. By Charles A. Carpenter. Westport, CT, and London: Greenwood Press. 1999. xv +183 pp. 47.95 [pounds…
The enclosed garden : the tradition and the image in seventeenth-century poetry
- R. Wilcher, S. Stewart
- Art
- 1968
the suspiciously resentful reception which has greeted all subsequent translations of the Bible . . .' (p. 225). The scholarship is also, except for the chapter on Macbeth, not impressive. The…
The poetry of limitation : a study of Edmund Waller
- R. Wilcher, Warren Chernaik
- History
- 1 July 1970
A concordance to the English poems of Andrew Marvell
- R. Wilcher, G. Guffey, A. Marvell
- Linguistics
- 1976
The index words of the concordance reflect the spelling anomalies of Margoliouth's edition of "The Poems and Letters of Andrew Marvell," and therefore many cross-references are given. Below each…
Review: Book: Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England
- R. Wilcher
- Art
- 1 April 1991
plausible conjecture that a line has dropped out, a conjecture sustained by the Oxford Complete Works editors. Elsewhere, Dorsch adopts Pope's 'Epidamnum' for F's 'Epidamium', noting misleadingly…
The Fool and his Techniques in the Contemporary Theatre
- R. Wilcher
- Physics, Computer ScienceTheatre research international
- 1 February 1979
The Father, p. 115 (see also p. 125 where Adolf relates his birth as a deformed baby).
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