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Creative License: The Law and Culture of Digital Sampling
- Kembrew Mcleod, Peter DiCola
- Art
- 2011
How did the Depression-era folk-song collector Alan Lomax end up with a songwriting credit on Jay-Z’s song “Takeover”? Why doesn’t Clyde Stubblefield, the primary drummer on James Brown recordings…
Money from Music: Survey Evidence on Musicians’ Revenue and Lessons About Copyright Incentives
- Peter DiCola
- Economics
- 9 January 2013
This article is based on an original survey of over 5,000 musicians nationwide. The survey results demonstrate the diversity of the population of musicians, in terms of genre, income bracket,…
FALSE PREMISES, FALSE PROMISES A Quantitative History of Ownership Consolidation in the Radio Industry
- Peter DiCola
- Political Science
- 2006
How to build a more open justice system
- A. Pah, David L. Schwartz, L. A. Amaral
- LawScience
- 10 July 2020
TLDR
Art, Copyright, and Activism: Could the Intersection of Environmental Art and Copyright Law Provide a New Avenue for Activists to Protest Various Forms of Exploitation?
- J. Bajaj, Peter DiCola, Matthew W. Walch
- Law
- 2017
Licensing in the Shadow of Copyright
- Peter DiCola, David Touve
- Law
- 2014
Copyright offers protection to creative works, but new technologies put pressure on that protection. Copyright owners and technology firms negotiate over new ways of distributing and transmitting…
Choosing between the necessity and public interest standards in FCC review of media ownership rules
- Peter DiCola
- Economics
- 1 October 2007
Consequences for Creativity: An Assessment of the Sample Clearance System
- Kembrew Mcleod, Peter DiCola, J. Toomey, Kristin Thomson
- Psychology
- 21 February 2011
The Golden Age of Sampling
- Kembrew Mcleod, Peter DiCola, J. Toomey, Kristin Thomson
- Economics
- 21 February 2011
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