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The iron cage revisited institutional isomorphism and collective rationality in organizational fields
- Paul DiMaggio, W. Powell
- Business
- 1 April 1983
The iron cage revisited: institutional isomorphism and collegctive rationality in organizational fie
- Paul DiMaggio, W. Powell
- Economics
- 1983
The New Institutionalism in Organizational Analysis
- W. Powell, Paul DiMaggio
- Economics
- 1 December 1993
Long a fruitful area of scrutiny for students of organizations, the study of institutions is undergoing a renaissance in contemporary social science. This volume offers, for the first time, both…
Cultural capital and school success: The impact of status-culture participation on the grades of U.S. high-school students
- Paul DiMaggio
- Sociology, Education
- 1 April 1982
Ethnographers and other students of interaction have documented the impact of status factors on students' success in school. Yet survey research data consistently show the absence of family…
Culture and cognition
- Paul DiMaggio
- Psychology
- 1997
Recent work in cognitive psychology and social cognition bears heavily on concerns of sociologists of culture. Cognitive research confirms views of culture as fragmented; clarifies the roles of…
The New Institutionalism in Organizational Analysis
- M. Guillén, W. Powell, Paul DiMaggio
- Political Science
- 1992
On Pierre Bourdieu
- Paul DiMaggio
- ArtAmerican Journal of Sociology
- 1 May 1979
The encyclopedic efforts of Pierre Bourdieu, the prolific directeur d'etudes at L'Ecole Pratique des Hautes Etudes, are beginning to reach readers in the Anglo-Saxon world. Two of Bourdieu's most…
Social Implications of the Internet
- Paul DiMaggio, E. Hargittai, W. R. Neuman, John P. Robinson
- Economics
- 2001
The Internet is a critically important research site for sociologists testing theories of technology diffusion and media effects, particularly because it is a medium uniquely capable of integrating…
Classification in Art.
- Paul DiMaggio
- Art
- 1 August 1987
A framework is proposed to analyze the relationships between social structure, patterns of artistic consumption and production, and the ways in which artistic genres are classified. This framework…
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