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Latinx Theater in the Times of Neoliberalism
experiment with the proxim-ity of strangers, and sing coke-fueled a cappella versions of Pearl Jam’s “Jeremy.” Though the editors organize the performances chronologically (from 1 January to 31…
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Neoliberalism, Historiography, Identity Politics Toward a New Historiography of Latino Theater
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Performing Conquest: Five Centuries of Theater, History, and Identity in Tlaxcala, Mexico
This is an unprecedented reading of Mexican history through the lens of performance. Tlaxcala is unique among the states of Mexico. Because of its fierce independence during the pre-Columbian era (it…
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Neoliberalism and Global Theatres
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Latino/a Dramaturgy as Historiography
Poised at the end of the world, and perhaps at the beginning of a new one, Victor Cazares’s Ramses Contra Los Monstruos (2011) chronicles a love affair between Ramses, a man who makes his living…
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Neoliberalism and global theatres : performance permutations
Introduction L.D.Nielsen & P.Ybarra PART I: INSTITUTIONAL STRATEGIES Irreal Entries L.Nielsen Nintendo Museum: Intercultural Pedagogy, Neoliberal Citizenship, and a Theatre without Actors M.Werry…
Neoliberalism, Professionalization, Debt, and the MFA
Abstract:"Neoliberalism, Professionalization, Debt, and the MFA" explores the ideological and theoretical conundrums that misrepresent MFA education as a professionalization rather than as knowledge…
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Avant-Garde Performance and the Limits of Criticism, and: Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (review)
ATHE Presidential Address
Our section devoted to content from ATHE 2015 in Montreal begins with Patricia Ybarra’s presidential address. The speech, delivered on August 1, 2015, to a crowded ballroom at the tail end of the…
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The 2010 New York Fornés Festival (review)
The week that I attended the 2010 New York Fornés Festival, I stopped in on both Marina Abramovic’s The Artist Is Present at MOMA and Superstar: A Tribute to Mario Montez at Columbia University, and…
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