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Two approaches to the study of movement planning were contrasted. Data on the drawing of complex two-dimensional trajectories were used to test whether the covariations of the kinematic and geometrical parameters of the movement formalized by the two-thirds power law and by the isochrony principle (P. Viviani & R. Schneider, 1991) can be derived from the(More)
Six experiments demonstrate a visual dynamic illusion. Previous work has shown that in 2-dimensional (2D) drawing movements, tangential velocity and radius of curvature covary in a constrained manner. The velocity of point stimuli is perceived as uniform if and only if this biological constraint is satisfied. The illusion is conspicuous: The variations of(More)
In two experiments we explore the structure of complex sequences of drawing movements. We find that in these movements a single parameter--the velocity gain factor--relates the geometrical and kinematic aspects of the movement trajectory via a two-thirds power law. In Experiment 1 we investigate the relation between the velocity gain factor and the linear(More)
An experiment investigated systematic pointing errors in horizontal movements performed without visual feedback toward 48 targets placed symmetrically around two initial hand positions. Our main goal was to provide evidence in favor of the hypothesis that amplitude and direction of the movements are planned independently on the basis of the hand-target(More)
Two experiments pursued previous studies (P. Viviani & P. Mounoud, 1990; P. Viviani & N. Stucchi, 1989) on motor-perceptual interactions. The right arm of blindfolded participants was moved passively along elliptic trajectories. Kinematics was either coherent or at variance with the relation (two-thirds power law) observed in active movements. In Experiment(More)
In two experiments, perceptual anticipation--that is, the observer's ability to predict the course of dynamic visual events--in the case of handwriting traces was investigated. Observers were shown the dynamic display of the middle letter l excerpted from two cursive trigrams (lll or lln) handwritten by one individual. The experimental factor was the(More)
We investigated the effects of movement velocity on the perception of simple geometric trajectories. We show that when an ellipse is traced by the continuous displacement of a spot against an empty background, the subjective aspect ratio (R = vertical axis/horizontal axis) of the figure depends on the law of motion of the spot. If the tangential velocity of(More)
The asynchrony of bimanual movements was investigated. Right- and left-handers traced simple geometrical patterns (ellipses) continuously with both hands. All combinations of the direction of rotation in each hand were executed at different rhythms. Geometrically, performances were largely independent of manual dominance. However, by comparing the passage(More)
Behavioural, neuro-anatomical and clinical evidence suggests that different aspects of the visual scene are processed separately, but the extent to which the processing is carried out along segregated and independent parallel pathways is still debated. Moreover, it is also unclear whether these aspects are processed at the same rate, and their neural(More)