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The interpersonal idiom in Shakespeare, Donne, and early modern culture
- Nancy Selleck
- Art, Linguistics
- 2008
Introduction: Other Selves Properties of a 'Self': Words and Things, 1580-1690 Persons in Play: Donne's Body and the Humoral Actor Material Others: Shakespeare's Mirrors and Other Perspectives…
Joining computing and the arts at a mid-size university
- F. Martin, Gena R. Greher, H. Yanco
- Education
- 1 June 2009
This paper describes two NSF-funded collaborations among faculty members in the Computer Science, Art, Music, and English departments at a public university in the Northeast USA. Our goal has been to…
Properties of a ‘Self’: Words and Things, 1580–1690
- Nancy Selleck
- Art, Psychology
- 2008
What did it mean to begin to use the word ‘self’ as a substantive term — to make it a thing rather than merely using it as an emphatic or reflexive pronoun? The question concerns not only what would…
Interpersonal Soliloquy: Self and Audience in Shakespeare and Augustine
- Nancy Selleck
- ArtEnglish Literary Renaissance
- 1 January 2021
This essay re-examines the meaning of Shakespearean soliloquies in light of both historical context and performance practice, arguing that they stage the interpersonal dimensions of identity in early…
Epilogue: Subjects, Objects, and Contemporary Theory
- Nancy Selleck
- Psychology
- 2008
Wanting to keep to the perspectives of early modern culture, I have largely resisted the temptation throughout this book to associate its findings with those of contemporary research on selfhood. An…
Coining the self : language, gender, and exchange in early modern English literature
- Nancy Selleck
- Linguistics
- 1997
Introduction: Other Selves
- Nancy Selleck
- Linguistics
- 2008
Speaking and thinking about selves in English today depends on language that goes back only to the later seventeenth century, when words such as self, identity, and person started to take on their…
Material Others: Shakespeare’s Mirrors and Other Perspectives
- Nancy Selleck
- Art
- 2008
This chapter elaborates the interplay of perspectives in poetic and dramatic representations of selfhood by examining early modern tropes and paradigms of vision and mirroring. The complex language…
‘Womans Constancy’: The Poetics of Consummation
- Nancy Selleck
- Philosophy
- 2008
Chapters 2 and 3 have registered two major liabilities of objectified selfhood: mutability and multiplicity. The self as a physical object changes over time; the self as a social object is…
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