Mike Barron

Learn More
  • Michael Christopher Monks, Julie Dorsey, Leonard Mcmillan, Carl Rosenberg, Amar Bose, Ken Jacob +12 others
  • 1998
Acoustic design is a difficult problem, because the human perception of sound depends on such things as decibel level, direction of propagation, and attenuation over time, none of which are tangible or visible. The advent of computer simulation and visualization techniques for acoustic design and analysis has yielded a variety of approaches for modeling(More)
A revised theory of sound level distribution in rooms was proposed in 1988, which responded to the observation that reflected sound level decreases as one moves away from the source. This behavior is ubiquitous in concert spaces and has been shown also to occur in an acoustically diffuse space. This paper presents a more general theoretical derivation and(More)
On concert hall stages the sound traveling between players consists of the direct sound, a floor reflection and early reflections off players and objects on stage such as instruments and music stands. In smaller music ensembles, the acoustic communication between players is normally good. In larger ensembles, there is a similar situation for short distances(More)
  • 1