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Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art.
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of… Expand
Age and gender dependent bioavailability of R- and R,S-α-lipoic acid: a pilot study.
Lipoic acid (LA) shows promise as a beneficial micronutrient toward improving elder health. Studies using old rats show that (R)-α-LA (R-LA) significantly increases low molecular weight antioxidants… Expand
The Power of Feminist Art: The American Movement of the 1970S, History and Impact
Since its inception nearly 25 years ago, the feminist art movement has transformed the art world. Now, two professors of art history bring together 18 influential historians, critics, and artists to… Expand
Reclaiming female agency : feminist art history after postmodernism
Preface and Acknowledgments Introduction: Reclaiming Female Agency 1. Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist Mary D. Garrard 2. Learning to Be Looked At: A… Expand
Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art
“Of Men, Women and Art”: Some Historical Reflections
- Mary D. Garrard
- 22 January 1976
Two years of public activity on behalf of the Women's Caucus for Art have persuaded me that, to paraphrase Shirley Chisholm, I suffer discrimination as much or more through my identification with the… Expand
The Expanding Discourse: Feminism And Art History
* Introduction: The Expanding Discourse Norma Broude and Mary D. Garrard. * The Virgins One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture Margaret R. Miles. *… Expand
Miriam Schapiro (1923–2015)
ion.4 Schapiro found stimulus for her layered fabric femmages and her politically charged art of decoration in the creative artifacts of women’s lives and experiences in America. An apron 1 Miriam… Expand
Artemisia Gentileschi's Self-Portrait as the Allegory of Painting
- Mary D. Garrard
- 1 March 1980
In her Self-Portrait as the Allegory of Painting, Artemisia Gentileschi (1593-ca. 1652) made an audacious claim upon the core of artistic tradition, to create an entirely new image that was quite… Expand